In the new story, the Fantastic Four’s headquarters, the Baxter Building, faces an intruder alert, setting the heroes off on an adventure that takes them into the Negative Zone, an alien dimension composed of anti-matter. The story uses as its jumping-off point the incidents recounted in the now-classic “This Man… This Monster!” story told in 1961’s Fantastic Four no. “I thought there was a way to connect with the Pop Art of the time period if I changed what I did, and presented that style and not my traditional painted style.” Kirby was cartoony, bold and muscular, at times over-the-top and brimming with mid-century, space-age design combining the bright colors of comic publishing at the time with occasional collage work to produce what was termed in the 1960s as Marvel Pop Art. “His style informed the first 10 years of their existence and it’s the shadow all artists have been working under for these last 60 years.”
“I wanted to present a version of the Fantastic Four as close to a Jack Kirby style he envisioned for the series as he created the characters,” Ross tell The Hollywood Reporter. 'Ant-Man and the Wasp: Quantumania' Director Peyton Reed Talks Scratching His 'Fantastic Four' Itch and Paying Tribute to 'Back to the Future Part II'Īnd it’s also the rare occasion where Ross takes a step back from the painted realism style that made him famous.
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